Buck Mountain Song
A little ditty Kathryn Caine wrote and performed with Sam Bush. My camera was there to see them.
Note to self: use more than one camera for a multicam shoot next time.
A little ditty Kathryn Caine wrote and performed with Sam Bush. My camera was there to see them.
Note to self: use more than one camera for a multicam shoot next time.
Here's a rough drawing that I came up with to explain the difference between Full Frame still photographs and motion picture images, which are after all a succession of still photographs.
The difference originates from the direction that film travels through the camera's film gate.
There are complications, naturally. And there are many, many aspect ratios, as can be seen here and here. But this directional orientation explains the inherited size difference between (35mm) stills and motion photography.
Using what I learned back here to preserve a rather stunning bunch of tulips.
Some of the things I've seen with my camera over the past two years learning to operate Steadicam.
Steadireel - 2013 from Man Made Wilderness on Vimeo.
Somewhat different than a straight dark field setup in that these were lit from the side with a pair of strobes in front of a dark background, rather than with a single strobe from behind the background. The exposure on the right has an additional small spotlight on the front of the mug in order to define the etching on the glass surface.
Interestingly, the exposure for the image on the left was an ordinary flash timing of 1/100 second @ f/14, whereas the image on the right was 13 seconds @ f/14. Because the light on the front of the mug was so insignificant in comparison to the flash, the subject is illuminated by the modelling lamps + the spot on the front of the mug.